Sunday, 6 September 2009

How to patch a punctured innertube?

ok, i need to put this to record or i might forget. And there are some ridiculously mistaken instructions out there which may lead people to patch tubes the very wrong way. so here goes, the correct way of patching tubes:

1: identify the puncture spot, and make sure its deflated before moving onto the procedure
2: check the whole tube for exact number of punctures
3. use sandpaper (360)
4: visually mark the puncture spot with 2cm in radius around it
5. rub the sandpaper at this spot - to flatten tube seams and remove the tube's dermis
6. observe as i work on sandpapering - surface turns lihgt greyish-then darkens
7. when the surface is roughened, apply a thin layer of rubber cement/glue around the area
8. while waiting for the gluing agent to dry a little, remove protective film from patch
<NOTE: do not blow at the gluing agent, lung-ed air moisturizes it and renders it ineffective>
9. when the gluing agent is 60% dry and appears sticky, apply patch onto the prepared spot
10. thoroughly conform the patch to tube by bending, pressing, flexing with hand
11. inflate tube to check for effectiveness


• • • • •

lesson credits: Keong Loh S.K. (Senior Bike Mechanic)

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published September 6, 2009
Sharon Chong
:0)

Wednesday, 29 October 2008

所谓- 家





紅花雨1)
詞: 小蟲. 洪宇 曲: 小蟲. Johnny Chen H.
演唱: 趙詠華, 胡德夫

紅花開 紅的心 紅的好美麗
為了你 等下去 我還在這裡
人不再 錯花季 雲濃月怎明
傷了心 不離棄 落成紅花雨
花若開 若有你 花才會美麗
盼望你 回頭看 我還在這裡

記得你 那一天 紅紅的眼睛
你的臉 你身影 笑容隨你去
在一起 流眼淚 一起看星星
能有幸 能相遇 永遠不忘記
漂著雨 迎著風 雨過盼風清
你牢記 我牢記 家就在這裡



我的家, 又在哪儿?





(1)http://blog.xuite.net/sinner66/blog/8338793
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Sharon Chong

Thursday, 23 October 2008

CIVILISATIONS by Sid Mier


"Asia's race for space"
"India launches first moon mission"


The front page of Al Jazeera's news brings back an eerie memory of a war game i used to play as a kid - CIVILISATION.

Sid Mier probably had a foresight on the race of nations. In the game, the human player picks a nationality of her liking (eg. French, English, Aztecs, American...). The player competes with computer generated opponents of other nationalities. Each by turn races to gain the next piece of knowledge, the next technology, so as to produce the most lethal weopon, the most effective, glamorous and strongest cities.

To win the game, one has either to wipe out all the other nations, or to be the first to build a space craft.

15 years later, apparently, nations haven't got sick of the model of "success", "game over".
Way to go Sid!


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Sharon Chong

What if....

click image for better reading


If i was free of the pressure to "be someone", if i was freed of the need to "make a contribution", if i was freed of the need to know what people think of me, if i was freed of the pressure to be useful, if i was freed of the pressure to be right, if i was freed of the pressure to be responsible for others, if i was freed of the need to master, to expertise, to power, to puppetry, to control, to make things happen. if i was freed of my need to be noble...

What would my life be for?

How would life live?



"We'll live, and we'll see." (1)











(1) Anton Chekov. in "Three Years"

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Sharon Chong

Monday, 26 May 2008

Sandakan (two) - Hiding in the Closet of Nature photos

Here are the snappies for the camping trip:



Yes, the trip's not very legal indeed


My guide for this journey, well, and many journeys passed
or yet to come - Daddy!



First meeting with the river - what was the name of the river again?
Oops...



Rummaging a steep rear of the hill


Living up to my Hakka roots of "land-openers" -
one weed down, two weeds, three, four (woozing sweat & back pain).......
gosh, and they opened forests??


Luxury of a 3-men tent, courtesy of Eric.

Back to the river



Dip time!
i was standing right inside the natural crate below

Yep, i know you're thinking "Ugh... dirty river"
but don't let the colour fool you, it's th natural pigment of fallen leaves.
so my guide told me
;-)

Boiled noodles with onions and eggs -
with a Japanese stage set, free of charge!
Come -sh Eat a-ke!

He's older than he looks. Secrets?
Marrying the right cooking wife, taking it easy, and get a dog.


Paying for ambients? Who needs pretentious ambients when
there's the real thing?




Very important, we brought clothes line.
Just the clouds couldn't hold itself through the night







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Sharon Chong
:o)













Wednesday, 7 May 2008

Sandakan (one) - Hiding In the Closet of Nature

The sun is coming out soon. The fog will cease, and the team of clouds will retreat, leaving the trees and low bushes stand in their wooden grey and brown, sometimes yellow, sometimes orange. Their dense green lush their tops, or skirt low to their leafy stems. What a morning, gently greeting the jungle campers.

That morning, with hearts of an explorer, we trot into the reserved forest, just beyond the backyard of my uncle’s house. My father traced the vaguely familiar steps of childhood; I journeyed with care, not knowing what to expect. What can I expect? In a few minutes only, we reached the small stream, its rather flat banks well blanketed with algae, bidding out steps caution. In a hop, we crossed the stream, and continued uphill where in another minute brought us to the open top. The hill is rather low, compared to my expectant heart.

Across the gravel road, the front line of a thinning forest stood facing us, as if they were standing in a line of defense, ready to do anything to prevent anymore human intrusion. We came to the edge of defense, strolled casually past the line, lamenting in my mind the helpless bodies of wood that bear the marks of red painted “X”, demarcating the line of trees that are to cease being cut, while the gravel parades before it. Beyond the defense, lives a completely different world.

No bridle paths, donned with clear cut planks to ease our walking, but fallen leaves of brown, black, dark red and occasional green, carpeted all the face of the hill, covering branches of old that were to crack and collapse at the slightest foot stomp. Trees, sometimes the size of my thigh, most of the time the size of my forearm, rooted at their spot, close by their neighbours. There were almost always a couple of rattan twining caressing tree to tree, enough to prevent us from walking by without swaying a few parang chops. When the marking ropes ran out, it was time to trace our way back to the open.

Now we’ve pitched the tent on the open hill top. Father fetched water, and we made coffee, hot and soothing very well for lunch with bread while we sat under a shade. “Isn’t it great to be able to camp out, so that we abandon our cares and worries, and give all our attention and energy to the here and now?” Father said, with a hint of gratefulness, or perhaps a boyish delight, now mixed with the reality of age.

At about 3.30pm, we decided to have an early bath and dinner down at the stream.

The water spurts and bubbles gently above burning heat from a portable flame, in a while swims inside two chunks of dried boodles, two peeled onion bulbs, three eggs accidentally cracked open in their container.

The motley broth simmers with an oily glow at the surface, sitting nicely on a rock island midstream. In a dip, the noodles swim easily into our plastic cups, pushed gently by the branch-sticks (impromptu chopsticks made from nearby branches) we were using. What came later, was a difficult sensation to achieve elsewhere. Hot broth and noodles steamed itself through my tongue and palate, and glided slowly down my throat and further down where my chest was now swayed gently as the oncoming current swept coolly past the rest of my body. A river cuisine no restaurant can ever offer.

At times like this, father and I were reminded of a song we both love, a song I used to awe in bafflement:

You think I'm an ignorant savage
And you've been so many places
I guess it must be so
But still I cannot see
If the savage one is me
How can there be so much that you don't know?
You don't know ...

You think you own whatever land you land on
The Earth is just a dead thing you can claim
But I know every rock and tree and creature
Has a life, has a spirit, has a name

You think the only people who are people
Are the people who look and think like you
But if you walk the footsteps of a stranger
You'll learn things you never knew you never knew

Have you ever heard the wolf cry to the blue corn moon
Or asked the grinning bobcat why he grinned?
Can you sing with all the voices of the mountains?
Can you paint with all the colors of the wind?
Can you paint with all the colors of the wind?

Come run the hidden pine trails of the forest
Come taste the sunsweet berries of the Earth
Come roll in all the riches all around you
And for once, never wonder what they're worth

The rainstorm and the river are my brothers
The heron and the otter are my friends
And we are all connected to each other
In a circle, in a hoop that never ends

How high will the sycamore grow?
If you cut it down, then you'll never know
And you'll never hear the wolf cry to the blue corn moon

For whether we are white or copper skinned
We need to sing with all the voices of the mountains
We need to paint with all the colors of the wind

You can own the Earth and still
All you'll own is Earth until
You can paint with all the colors of the wind


Colours of the Wind said it all. Location is not just a location anyone can simply own and claim. It is a place, a place filled with people with their meanings and languages, a place with life of nature, waters of nature, rocks of nature; of God. I sighed in my heart.

Night came with occasional drizzling rain, making their rhythms on our tent fly right beside our ears. We sipped hot coffee inside the already heated tent. Father laid down to rest beside me, covered with huge drops of sweat, I laid on my sleeping bag beside him, not ready to sleep yet, not even a hint of drowsiness; all alert, all awake and thinking. With my eyes closed, the distant town played its band of large and small engines, toots of horns, whizzing of wheels, a steady and restless rotor. My left side took in all of that. Also now, the hillside aroused its magnificent orchestra of a thousand bug clappers, bird hooters, screeches, whistlers….; a constant midnight concerto.

I will never understand how did such a time came that I should hear this massive “naturally occurring” juxtaposition, each side declaring their own rightful characters. It will not creep inside an album, but it has shouted a question in my head. I came from the city, I hate the city; I came to the jungle, I’m afraid of the jungle. I couldn’t sleep, my ears heard the whole night of torment.


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Sharon Chong. May 7, 2008
:o)